June 26th, 2009
But whatever else it is, it isn’t listening, and in that just-in-time, bullet-point, “gimme the elevator version”-saturated world, the first casualty of narrative is context. d r i f t g l a s s: The Fall of The House of Hearst
But whatever else it is, it isn’t listening, and in that just-in-time, bullet-point, “gimme the elevator version”-saturated world, the first casualty of narrative is context. d r i f t g l a s s: The Fall of The House of Hearst